Deaf, Disabled and non-Disabled creatives come together for RED at Polka Theatre

Polka Theatre will reopen their doors following the £8.5m Future Polka Capital Campaign with an exciting new promenade adventure RED once again bringing world-class family entertainment to London 25 September – 31 October 2021.

The production is a thrilling mix of visual and physical storytelling, seamlessly integrating Sign Language into the performance. Audiences will get a chance to see different parts of the new building for the first time, including Polka’s brand new interactive sensory space, journeying across overgrown forests and perilous bogs on a mission to restore peace to a land overtaken by wolves.

Polka are excited to be working with a creative team made up of Deaf, Disabled and non-Disabled creatives. RED will bring together Zoë McWhinney (The Two Fridas, Chickenshed/ Handprint Theatre, V&A) in the titular role, along with Ciaran O’Brien (The Hunchback of Notre Dame, NYMT; The Story of Guts, Bristol Old Vic) as Alpha Wolf, and Bea Webster (The Winter’s Tale, RSC; Holding/Holding On, National Theatre of Scotland) as The Woodcutter.

Set in a harrowing world where the wolves have seized control from Queen Sukotai, Alpha Wolf sits on the throne. Only RED can end the conflict and bring harmony to the land however, they are nowhere to be found. Venturing across swamps and exploring the mystical surroundings, this visual and imaginative journey is a quest to locate RED, while avoiding the dangerous sleeping wolves.

This exciting production takes the audience on an unforgettable journey across woods, swampland and a palace, and is a wonderful chance for audiences to discover the newly redeveloped Polka, as a small audience moves around different parts of the building. This imaginative visual production is performed using Sign Language as the primary language.

Director Hannah Quigley adds, We hope that RED will take audiences on a journey – both emotionally and physically. As a disabled, Queer theatre director and filmmaker I have often focused on projects and productions that explore the joy of working with and telling stories celebrating these perspectives. The cast and creative team is simply amazing and working with them is definitely a highlight. To have a show that brings young people and families back into the theatre in these times feels both important and exciting.