REVIEW: LA RONDE (Bunker Theatre) ★★★

London, 2017. Gender and sexuality are fluid and free. It is possible to reinvent yourself with every new sexual encounter. Whatever you’re into, someone out there will be into you. Max Gill’s reworking of La Ronde (Arthur Schnitzler’s 1897 classic which for the first 20 years of its life was deemed too explicit for a […]

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